Romina basso biography of michael

  • Romina Basso (born Gorizia) is an Italian mezzo-soprano with an extensive discography of baroque opera recordings.
  • Romina Basso “Scorre il fiume mormorando” Ercole sul Termodonte Vivaldi #rominabasso #ercolesultermodonte #vivaldi #fabiobiondi #europagalante #.
  • Business & Finance · Career Michael Jackson · NF · Pink Floyd · Post.

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    GALLERY

    BIOGRAPHY

    Born in Feuchtwangen, Bavaria, soprano Christiane Karg completed her studies at the Mozarteum University Salzburg beneath Heiner Hopfner and in the lied class of Wolfgang Holzmair, where she was additionally awarded the Lilli Lehmann Medal for her master's degree in musikdrama performance. While still completing her studies, she made her highly acclaimed debut at the Salzburg Festival.

    Christiane Karg can be heard in the most celebrated roles of her fach, having performed at the Royal Opera House Covent Garden and the Opéra national de Paris as Pamina, at the Lyric Opera Chicago and at the Met in New York as Susanna, at La Scala in Milan as Sophie and Euridice, at the Vienna State Opera as Mélisande, at the Hamburg State musikdrama as Pamina, Mélisande, Daphne and Contessa, at the Berlin State Opera as Micaëla, and at the Bavarian State Opera as Pamina, Blanche (Dialogues des Carmélites) and Fiordiligi. As Artist in Residence

  • romina basso biography of michael

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    • L'Olympiade: The Opera (2012)

      performed by Franziska Gottwald (mezzo-soprano), Karina Gauvin (soprano), Nicholas Phas (tenor), Nicholas Spanos (counter tenor), Romina Basso (mezzo-soprano), Ruth Rosique (soprano), Venice Baroque Orchestra, Markellos Chryssicos (conductor)
      composed by Antonio Caldara, Antonio Vivaldi, Baldassare Galuppi, David Perez, Domenico Cimarosa, Florian Leopold Gassmann, Giovanni Paisiello, Giovanni Pergolesi, Giuseppe Sarti, Johann Adolf Hasse, Josef Myslivecek, Leonardo Leo, Luigi Cherubini, Niccolò Jommelli

    • Lamento (2014)

      performed bygd George Garavounis (percussion), Haris Andrianos (vocals), Latinitas Nostra, Nikos Spanatis (vocals), Paul Zachariades (vocals), Romina Basso (mezzo-soprano), Simos Papanas (violin), Theodora Baka (vocals)
      composed by Barbara Strozzi, Francesco Provenzale, Giacomo Carissimi, Various Compos

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      I imagine Alan Curtis and Il Complesso Barocco’s performance of Handel’s Rodelindaat the Barbicanon Wednesday was planned partly as a celebration/promotion of their new recording of the opera, though as it turns out 3 of the planned cast did not sing. So instead of Simone Kermes (a Curtis regular) we had Emma Bell and Grimoaldo was played by Filippo Adamo, a very last minute replacement – his name wasn’t even in the printed programme.

      Curtis is another American harpsichordist who works extensively in Europe. Whereas with William Christie I always get the feeling that even in Handel, the notes inegalsof the French Baroque are never far away, Curtis’s Handel has a more traditional feel to it; wonderfully crisp, rhythmic and sprightly, even if there was the odd hint of untidiness in the orchestra.

      The advantage of the cast we actually heard was that 4 of the 6 singers were native Italian speakers. (Sonia Prina as Bertarido, Filippo Adami as Grimoaldo, Rom