Nicolas girard typography biography of george

  • Graphic designer, animator and director, working on visual identities, campaigns and motion systems for brands, films and games.
  • Nicolas Girard Deltruc is known for Ten (), The Flower of Evil () and The Clay Bird ().
  • Born in New York City and raised in Florence, Girard was educated in Europe as an architect.

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    Nicolas (updated edition), by Pascal Girard. I wrote about the first edition of Nicolas here. I've always had mixed feelings about Girard's work, as his tendency to play up his less flattering qualities for comedic purposes gets to be so extreme that he transforms into a loathsome George Costanza-style character, divorced from reality and polite samhälle. Nicolas avoided a lot of that artifice while still being self-deprecating, as it was an honest look at the ways in which we process grief are difficult and mysterious. The new edition offers a twenty five page addendum, picking up roughly ten years after the last book. If the first edition was about Girard finally coming to terms with his grief and allowing himself to feel it, then the update is about his shaky relationship with his youngest brother, Joel. Girard was three years older than his brother Nicolas, who died at the age of five, but Joel is a full eight years younger than Girard. Girard blamed that distance in age for w

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    Alexander Girard

    Born in New York City and raised in Florence, Girard was educated in Europe as an architect. He began practicing architecture and interior design in the late s. The exhibition he curated for the Detroit Institute of Arts in —“For Modern Living”—celebrated postwar modernism. Girard developed a friendship with Charles Eames in the s when the two men realized they had coincidently designed almost identical modern radio cabinets and were both experimenting with plywood chairs.

    Girard’s reputation soared in , when his zestful interior design of the La Fonda del Sol restaurant in New York electrified the public. He designed the entire experience for the restaurant—interior, graphics, place settings, staff uniforms. Girard reprised the feat for Braniff International Airways in the mid s, designing no less than 17, different items—from logo to lounge furniture.

    Girard’s risky, sometimes iconoclastic fabrics were inspired not by a vision of the future but by a love of

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