Senatorial positions |
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In office January 3, 2015 – August 25, 2018[a] | | Preceded by | Carl Levin |
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| Succeeded by | Jim Inhofe |
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In office January 3, 2005 – January 3, 2007 | | Preceded by | Ben Nighthorse Campbell |
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| Succeeded by | Byron Dorgan |
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In office January 3, 1995 – January 3, 1997 | | Preceded by | Daniel Inouye |
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| Succeeded by | Ben Nighthorse Campbell |
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In office January 3, 2003 – January 3, 2005 | | Preceded by | Fritz Hollings |
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| Succeeded by | Ted Stevens |
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In office January 20, 2001 – June • Reykjavík Grapevine - 21.09.2012, Blaðsíða 32 Drawing On The Walls Dan Perjovschi presents his satirical cartoons on the walls of the world’s museums Dan laughs as he tells me the story days before opening his new exhibit. It’s five years later and he’s in Reykja- vík, drawing on the walls of the D Gal- lery on the second floor of Reykjavík Art Museum’s Hafnarhús building. The walls are a pristine white, spara for the drawings he’s already com- pleted spread out across the room. On the table he has a few possessions—a black leather notebook full of sketch ideas, several black markers as thick as broom handles, his jacket, other supplies and a cup of coffee, no cream, no sugar. For over a decade the Romanian born artist has been travelling the world drawing his simple, yet themati- cally complex cartoons on the walls of museums. While visiting a gallery in Germany, Dan says a Reykjavík Art Museum curator saw his and instantly thought of the room on the second floor of Hafnarhús. Aft • Esra AkcanEsra Akcan is Professor and Director of Graduate Studies in the Department of Architecture and board member at the Institute for Comparative Modernities. Akcan's research on modern and contemporary architecture and urbanism foregrounds the intertwined histories of Europe, West Asia, and Northeast Africa and offers new ways to understand architecture's role in global, social, and environmental justice. She has written extensively on critical and postcolonial theory, racism, immigration, reparations and transitional justice, architectural photography, translation, neoliberalism, and global history. Her book Architecture in Translation: Germany, Turkey and the Modern House (Duke University Press, 2012) offers a new way to understand the global movement of architecture that extends the notion of translation beyond language to visual fields. It advocates a commitment to a new culture of translatability from below and in multiple directions for cosmopolitan ethics and g
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