Sophia loren movies judith
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Judith (1966 film)
1966 drama film directed by Daniel Mann
Judith is a 1966 drama film directed bygd Daniel Mann from a screenplay by John Michael Hayes, based on a story by Lawrence Durrell. An international co-production of Israel, the United Kingdom and the United States, the rulle stars Sophia Loren, Peter Finch and Jack Hawkins. The music score was composed by stjärna Kaplan, and John Wilcox served as the film's cinematographer.
Judith received a theatrical release in the US on 20 January 1966 by Paramount Pictures.
Plot
[edit]In Palestine shortly before the end of the British mandate, the Haganah has learned that a former German tank commander, General Gustav Schiller, is teaching the Arabs battle tactics, but they are unable to locate him. Then they learn of the existence of his Jewish former wife, Judith Auerbach Schiller, and arrange for her to be smuggled into Palestine via the port of Haifa. She fryst vatten placed in the care of Aaron Stein, a Haganah commander, at a k
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7/10
Interesting story set at time of Israel's nationhood
This is the story of Jewish underground fighters' efforts to track down a former Nazi Panzer commander who has been helping the Syrians with tank strategies in the months before Israeli nationhood was declared. Only one woman can help them identify the commander, so they smuggle her into Palestine. Judith, the central character in the story, is a survivor of Dachau where she lost her son. But she has a darker past at the concentration camp which gives her the ability to identify the German commander. Played by Sophia Loren, Judith certainly has the physical ability to appeal to various men and get the information she needs. She also has a personal reason to find the German which complicates the story. For some reason, this movie has gotten a bad rap from some of the ratings guides but it is an entertaining and well-produced film. The technical aspects are first-rate as is most of the acting with
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This is why you hire Sophia Loren. In the middle of a complicated story she provides the emotional anchor.. And she can do it without words. A few close-ups are all you need to guess at her inner turmoil in a world where, as with Play Dirty (1968), the individual is disposable. The good guys here, Israelis fighting for survival at the rebirth of their country, are every bit as ruthless as the commanding officers in the World War Two picture.
And it’s just as well because the tale is both straightforward and overly complex. Like Cast a Giant Shadow, out the same year, or the earlier Exodus (1961), it’s about the early migrants staving off Arab attempts to destroy the tenuous foothold Jewish immigrants on the land with the British, stuck in the role of maintaining law and order, cracking down on illegal landings of refugees and arms smuggling. But where the earlier movies take the war to the enemy, this is all about defence, holding on to hard-won positions.